{"id":16462,"date":"2026-03-25T15:02:49","date_gmt":"2026-03-25T14:02:49","guid":{"rendered":"https:\/\/voyagesimpressionnistes.com\/uncategorized\/renoir-and-love\/"},"modified":"2026-03-25T15:04:55","modified_gmt":"2026-03-25T14:04:55","slug":"renoir-and-love","status":"publish","type":"post","link":"https:\/\/voyagesimpressionnistes.com\/en\/paris-montmartre\/renoir-and-love\/","title":{"rendered":"Renoir and love"},"content":{"rendered":"<p>From March 17th to July 19th, 2026, to mark the 150th anniversary of the Dance at the Moulin de la Galette (1876), a masterpiece from its Impressionist collections, the <a href=\"https:\/\/voyagesimpressionnistes.com\/en\/paris-montmartre\/musee-dorsay\/\">mus\u00e9e d&#8217;Orsay<\/a> presents the exhibition <em>Renoir and love. A Joyful Modernity (1865-1885) <\/em>.<\/p>\n<p>Auguste Renoir&#8217;s joyful, colorful paintings and iconography of guinguettes and public dancehalls led to his being dubbed a \u201cpainter of happiness\u201d. A reputation that sometimes led to his being marginalizead among the great painters of modernity, on the grounds that modernity could only be melancholic or ironic, disillusioned or disenchanted. <\/p>\n<blockquote><p>I know very well how hard it is to make people admit that a painting can be truly great painting while remaining joyful.<\/p><\/blockquote>\n<p style=\"text-align: right;\">Auguste Renoir<\/p>\n<p>Yet his body of work provides an original reflection on modernity, in which love is understood both as a force governing human relationships and as an emotion guiding the artist&#8217;s perception of his models, the world and painting itself.<\/p>\n<p>The exhibition <em>Renoir and love<\/em> brings together this major corpus of \u201cscenes of modern life,\u201d for the first time \u2013 multi-figure paintings depicting contemporary subjects (distinct from portraits and landscapes), produced by Renoir during the first twenty years of his career (1865\u20131885). Among these works, <em>Le Bal du moulin de la Galette<\/em> (1876) occupies a central place, in connection with the one hundred fiftieth anniversary of its creation. During this period, he took part in the collective invention of a \u201cNew Painting\u201d (E. Duranty) alongside Manet, Monet, Morisot, Degas and Caillebotte. He distinguished himself, however, by his unique sense of empathy and capacity for wonder, choosing only happy subjects and always highlighting his models. This \u201cloving\u201d eye is expressed through a pronounced taste for connections \u2013 in his motifs (conversations, meals, dances, etc.) as well as in his manner of painting, paying close attention to anything that might contribute to a sense of unity (the characters&#8217; gestures, enveloping light, balanced colors, fluid, rapidly applied brushstrokes that served to merge objects into each other).     <\/p>\n<p>This exhibition also highlights Renoir&#8217;s predilection for depicting young couples, aiming to debunk the misconception that his painting is \u201csentimental\u201d. On the contrary, it avoids any overly direct expression of emotions, romantic storytelling or erotic mises en sc\u00e8ne. An admirer of 18<sup>th<\/sup> &#8211; century French painters (Watteau, Boucher and Fragonard), Renoir resurrected an atmosphere of \u201cf\u00eates galantes\u201d and promoted a form of freedom of morals and gender equality in the Paris of the late Second Empire and early 3<sup>rd<\/sup> Republic. This choice should be understood in light of the artist&#8217;s biography, as he led a \u201cbohemian life\u201d at the time and maintained relationships deemed \u201cillegitimate\u201d in a 19th century context marked by marriage, bourgeois norms, religious morality, widespread prostitution and major gender inequalities. In this context, Renoir&#8217;s large-format paintings devoted to happy couples, to \u201ccamaraderie\u201d (as his friend Georges Rivi\u00e8re put it) and conviviality appear as so many manifestos against the violence of gender relations, class antagonisms and the growing loneliness of urban life.    <\/p>\n<p>Co-organized with the <a href=\"https:\/\/www.nationalgallery.org.uk\/\" target=\"_blank\" rel=\"noopener\">National Gallery<\/a> in London and the <a href=\"https:\/\/www.mfa.org\/\" target=\"_blank\" rel=\"noopener\">Museum of Fine Arts<\/a> in Boston, the exhibition <em>Renoir and love<\/em> provides a fresh perspective on paintings so well-known that it has become difficult to perceive how truly original they were in their day. For the first time since 1985 \u2013 the year the last Renoir retrospective was organized in Paris \u2013 an exhibition brings together a limited yet significant selection of works (about fifty paintings) from the first part of the artist&#8217;s career, including some of his greatest masterpieces: from <em>La Grenouill\u00e8re<\/em> (1869, Stockholm, Nationalmuseum) to <em>Les Parapluies<\/em> (1881-1885, London, National Gallery), by way of <em>La Promenade<\/em> (1870, Los Angeles, J. Paul Getty Museum), <em>La Danse \u00e0 Bouvigal<\/em> (1883, Boston, Museum of Fine Arts) and <em>Le D\u00e9jeuner des canotiers<\/em> (1880-1881), on exceptional loan from the Phillips Collection in Washington. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>From March 17th to July 19th, 2026, to mark the  [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":16460,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[87],"slider_une":[],"regions":[132],"coups_coeur":[146],"inspiration-type":[],"label":[],"categories-agenda":[172],"class_list":["post-16462","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-paris-montmartre","tag-diary","regions-idf-en","coups_coeur-grille-agenda-selection","categories-agenda-exhibition"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Renoir and love - Impressionist adventures<\/title>\n<meta name=\"description\" content=\"Discover the exhibition \u201cRenoir and Love. 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